This facility was archaic in the treatment of materials both with the interior
and exterior13 yet, the elements which would be with subject matter,
iconography, function, and content symbolized the important and simplistic
purpose of a facility involved in the creation of complex medical advancements.
The collaboration between Kahn and Salk on the design for these labs and
residences was a connection of the best of both worlds, artistically and
scientifically. Salk had visited the Saint Frances Assisi Monastery, image
# 10, and desired to replicate a ³sense of cloister²14 for his
fellow scientists in their intellectual pursuit. Salk felt that Kahn¹s
expertise with Roman Engineering techniques and his knowledge of Scottish
castles would foster Salk¹s vision of the elements necessary with
creation of the institute. As the site is divided into areas of importance
so are each of the interior spaces. The most important two buildings
on the site are the labs and the residences. The labs spans sixty-five
feet by 245 feet with eleven foot ceilings and they are aided with movable
walls so any necessary elimination or addition of equipment during scientific
investigation would be possible with little effort. The end walls
hold the refrigerators and centrifuges in order to make room for the scientists
and their investigations. In the ceiling, there are nine foot high
rooms which Kahn referenced as ³pipe laboratories² are ³sandwich
between the people laboratories,²15 as seen in image # 5. There are
the ducts, pipes, and electrical items which can be moved and reinstalled
anywhere without affecting the labs below as need arises,16 The stairtowers
even have blackboards to encourage discussions in the stairwells. The labs
and the residences are what Kahn referenced as the served¹17 of a
building. The servant aspect of the building was the service areas
such as the water systems, gas-fired boilers, the heating, ventilating
and air-conditioning systems. Kahn felt that if he didn¹t specifically
design for such mechanical service elements then they would take over the
design of a building. If consideration for the whole was important
to Kahn then the subareas of the interiors should have just as much thought
placed into their design. These areas required a sense of tranquility
²where the routine of the laboratory could be momentarily left behind.²18
As Salk and Kahn worked together on the final plans, Kahn was able to show
Salk how the shadows and the lighted areas in architecture were valuable
to the design of the architecture because enough light would offer comfort
to the scientist. The image # 3 drawn by Kahn depicts his opinion
of the concept of silence and light. Kahn had a fascination to ³lights
metaphysical effect on architecture.²19 Natural light was incorporated
into the interiors of the residences, as Salk insisted, must have a view
on to the Pacific ocean. The interiors were comfortable, even inspiring
with the chalkboards in the residences for those late night solutions as
seen in image # 9. As the exterior serves the interior so must
the foundation serve the building itself. The buildings needed to be under
close observation for California¹s strict seismic regulations. Kahn¹s
structural engineer explained in a 400 hundred page report reflecting computations
of the success with a vierendeel truss system as it would offer the necessary
flexibility in the resistance to lateral seismic forces. ³The
vertical ends of the nine foot deep trusses spaced twenty foot on center
have a clear span of sixty-five foot.²20 ³The stressed
steel bars, at the top of each truss were coated with asphalt paint and
inserted in metal conduit to prevent bonding with the concrete.²21
The engineers proved that this system could with stand the same in a earthquake
as a steel structure. Kahn used the basic design elements and ancient
architectural arrangements and produced a medical facility which would
offer inspiration as well defy the natural weather elements.
Kahn function was
to make the ³immeasurable measurable.²22 Salk, who had developed
the vaccine for Polio, had envisioned a community of future scientists
with their inquinchable search for the solution to medical maladies. Salk
sought out various architects and decided the moment that he discussed
his visions for this scientific facility that Kahn should design this institution.
Kahn took great care and attention to the details, and the content in order
that Salk could, as he so desired, to ³invite Picasso to the laboratory.²23
Kahn ³felt that the belief which makes a painter paint must be constantly
felt by a scientist so that he never forgets, in his measurable work, that
the unmeasurable desires, somehow, to come together.²24 This
coastal location is yet another metaphor of the subject matter for the
continual thought process of the scientist; as the mind is always in search
for a solution so may there be some form of inspiration with the ever-changing
ocean and sky. This type of emphasis on discovery for the appropriate
generating idea¹25 poetically references that the basic materials
found in nature can provide awe-inspiring solutions when manipulated artistically.
Kahn¹s answer to the needs of Dr. Salk¹s institution can be thought
of as a lesson to help us inquire and meet not with opposition to the struggle
with the unanswerable questions but begin with the the initial inspiration
of the problems. Kahn¹s intuitive and never-ending fascination
explains why he believed ³wonder is in the realization.²26
Kahn concerned himself with the natural light, functionalism, and spatial
harmony in this architectural design. The desires of both the architect
and the scientist were to bring a solution out of the dark and into the
light. The dark is where the mental work was developed and the light
is where the physical work continues. Through the ³silence and
light²27 at the Salk Institute, Kahn¹s determination to express
his inner light of inspiration towards the solution shines brightly even
after his death.
³What was has always
been what is has always been and what will has always been.²28
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